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Surrealism has always courted accidents, welcomed the uninvited, flattered disorderly presences.... Unlike the fine-art objects of pre-democratic eras, photographs don't seem deeply beholden to the intentions of an artist. Rather, they owe their existence to a loose cooperation (quasi-magical, quasi-accidental) between photographer and subject - mediated by an ever simpler and more automated machine, which is tireless, and which even when capricious can produce a result that is interesting and never entirely wrong.
-Susan Sontag, "On Photography"
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